"The lighting design for An Enemy of the People is sparse and highly dependent on color temperature. The spectrum hovers from candlelight and oil lamps to chilly Norweigan dusk. Working in the round for this production required our gear to stay as invisible as possible, from sneaky dimmer curves to wireless DMX dependability. This helped me keep the story as the focus, and made the arrival of some 'theatrical sunshine' a bit more convincing!"
- Isabella Byrd, Lighting Designer, An Enemy of the People
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