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EXHIBITIONS ARTISTS-IN-RESIDENCE SUPPORT

DETAILS BELOW ON:


MONUMENT TO THE UNELECTED


IN THE PRESS - LA TIMES / DAILY PILOT


CONTINUING EXHIBITIONS


ARTIST-IN-RESIDENCE

ON VIEW NOW THROUGH NOV. 17

@ 896 S. OAKWOOD ST.

ORANGE, CA 92869

image credit: Nina Katchadourian, Monument to the Unelected (2024 installation), Organized by Grand Central Art Center on the lawn at 896 S. Oakwood St. Orange, CA 92869 

NINA KATCHADOURIAN

MONUMENT TO THE UNELECTED


through November 17, 2024


in collaboration with Community Engagement


LOCATION: Monument to the Unelected is viewable on the front lawn at

896 S. Oakwood St. Orange, CA 92869


PLEASE NOTE: Our advance thanks to visiting patrons for their respect to the property and homeowners, neighbors and surrounding neighborhood, and works included in the installation.




Jonathon Keats, in Forbes Magazine, listed the 2020 Grand Central Art Center presentation of Monument to the Unelected as one of the “6 Exceptional Art Exhibits To Redeem 2020”



Grand Central Art Center, in collaboration with Community Engagement, is pleased to present Nina Katchadourian’s Monument to the Unelected, exhibiting in Orange County, CA, from September 25 through November 17, 2024 on the front lawn at 896 S. Oakwood St. Orange, CA 92869. This temporary installation, consisting of 59 signs bearing the names of losing candidates from every presidential election in American history, coincides with this year’s presidential election. Once results are official, a new 60th sign with the name of the losing candidate of the 2024 Presidential Election will be added.


Katchadourian was initially commissioned by the Scottsdale Museum of Art (SMoCA) and curator Cassandra Coblentz to create a new work around the time of the 2008 presidential election. The artist became interested in the plastic election signs sprouting up on front lawns, vacant lots, and at busy intersections around Scottsdale, Arizona. She states, “These markers tend to crop up in the weeks leading up to an election, after which they disappear, with some of the names going on to take office and others being largely forgotten.” The signs also struck her as an American tradition of sorts and with an aesthetic all their own.


Working with designer Evan Gaffney, Katchadourian created a series of signs bearing the names of individuals who ran for president and lost. Each sign was made in a contemporary design vernacular, even if it advertised a candidate from previous centuries. None of the signs are designs used in the candidates’ actual election campaigns. Many of the signs borrow directly from the designs of signs that she documented in Scottsdale; others are modeled on signs seen in other parts of the country. All the signs are printed on corrugated plastic using similar commercial production methods as typical election lawn signs.


At this moment, when the country is deeply preoccupied with a major national election, Monument to the Unelected serves as a reminder of the country’s collective political road not taken. It does not reflect any particular political viewpoint or endorse any specific party but does highlight the US history for peaceful transition of power. Monument to the Unelected has been exhibited nationally during the past four presidential election cycles, usually spanning a period before and after the election that allows for the addition of the losing candidate’s name.


This election-cycle the work will be shown at six additional locations nationwide simultaneously:

Roots Community Health Center, Oakland, CA

The di Rosa Center for Contemporary Art, Napa, CA

Minnesota Street Project, San Francisco, CA

Scottsdale Museum of Contemporary Art (SMoCA), Scottsdale, AZ

Center for Art and Dance, St. Olaf’s College, Northfield, MN

Home of Abrahamson Family Collection, Madison, WI



GCAC expresses our sincere gratitude to Deb and Jon Webb for providing their front lawn as installation site for the 2020 and 2024 showing of Monument to the Unelected. We thank visiting patrons for your respect to the Webb’s property, their neighbors and surrounding neighborhood, and the work included in the installation.



EXHIBITION LINK

IN THE PRESS

LA TIMES / DAILY PILOT

LA TIMES / DAILY PILOT

10-YEAR SANTA ANA TIME CAPSULE OPENING


Our sincere thanks to LA Times / Daily Pilot, writer Sarah Mosqueda for the outstanding article on the GCAC recent 10-Year Santa Ana Time Capsule opening event in association with Daniel Tucker / Future Perfect: Time Capsules in Reagan Country.


Please take a moment to read the article.



LOS ANGELES TIMES / DAILY PILOT LINK

CONTINUING EXHIBITION

EVAN APODACA

INSURGENT SMOKESCREEN


through

January 12, 2025


Visit First Saturday, Oct. 5

from 7-10PM



EXHIBITION LINK

DANIEL TUCKER

FUTURE PERFECT:

TIME CAPSULES IN

REAGAN COUNTRY


through

November 17, 2024



Visit First Saturday, Oct. 5

from 7-10PM


EXHIBITION LINK

VISITING GCAC

ARTIST-IN-RESIDENCE

ANNA BERENICE GARNER


Recent Visit

Returns in 2025


Mexico City based artist Anna Berenice Garner's first visit to GCAC in September began the projects research and development phase. 



ANNA'S WEBSITE


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