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Could you tell us a bit about your background as a movement artist?
I started dancing when I was 12. This was around middle school. I struggled in my classes and didn't feel like I fit in with my peers. After school, I could go to dance, express myself, and be in a community. While in college, I found yoga as a form of stress relief and became certified. What's carried me throughout my life, in terms of movement, has been its connection to the mind. As someone who's struggled with mental health, movement has been a way for me to process anxiety and emotions that sometimes felt too big to handle. I learned, firsthand, that movement helps regulate the nervous system and expend stressful energy to come back to a place of calm.
What inspired you to bring wheelchair and chair yoga to the arts and humanities program?
In the summers of 2017 and 2018, I worked as a movement artist-in-residence with AHP. I taught yoga to the nurses and staff during their lunch and led stretch breaks throughout the hospital. A few years later, I started developing health issues and was saddened to find very few movement classes for people like me, with chronic pain, chronic fatigue, dysautonomia, and mobility limitations. Now, I am an ambulatory mobility aid user, meaning I can walk in certain limited capacities. Often I use my forearm crutches or my manual wheelchair to help me get around. Through my personal journey, I found the Accessible Yoga Association, an organization committed to bringing yoga to marginalized groups of people. I completed their certification program, became an Accessible Yoga Ambassador, and was inspired to bring a version of Accessible Yoga to the AHP. In my class, I aspire to create an environment where people with various forms of disabilities, injuries, or chronic health conditions, can not only feel welcomed and included but represented and prioritized.
Why is it important to create welcoming environments for movement?
One in four people in the U.S. has some form of disability. It could be physical, cognitive, psychological, or sensory. So, it’s important that we create trauma-informed and intentional spaces where everyone is seen and included.
What can people expect when they attend your online class?
We begin with grounding, centering, and breathing. As we explore mindful movement, I use invitational language. I give lots of options. I’ll say something like, “maybe you place your hands on your knees, maybe you place your hands on your stomach.” I also explain that each pose may look different or feel different depending on if you're in a chair, if you're in a wheelchair, or if you're on the couch. After the yoga poses, we'll go into guided relaxation. After 45 minutes, the class ends and there is time for students’ questions or thoughts. My hope is that participants leave class feeling at ease, in body and mind.
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